If 5$ difference between 10 min work of computer algorithm,Īnd 90 min of my work, as a mastering lad I am also positive I can deliver, as reviews and feedback from my clients tells me all I want to know Which is not automated, besides submitting your online order,Īnd I spend around 60-90 min working on your song, I will charge you 5$ more for my service, It would be cool to see what you all think.
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Perhaps later this week, I'll be able to post an example. It definitely outperformed Landr for what I was looking for. At the very least, I'm happy with having the option. Aria got my mix commercially loud while still keeping the dynamics in a way that I personally can't achieve on my own ITB. I just got hung up on the analog processing of it all. It was clear in Aria's description that there was never an actual person fixing anything. In a way this is even worse then landr, assuming landr at least makes some signal analysis, which I do not know.Ok, I see what you all are saying in regards to fixing versus signal processing. Fixing everything based on a loaded preset is, well, signal processing. Mastering is about hearing things before fixing them. This, in my opinion, has nothing to do with mastering. I get you, but what exactly did you want to hear? All we see from the website is a nice chain, that remains untouched and a computer is playing back your files and rerecording it automatically. Don't facepalm me until you've tried the service and can tell me what's audibly wrong with it. Even if they're lying and use an algorithm, it's a really good one. A 10-minute turnaround for an analog master seems unbelievable, but crazier things have been invented. I tried this Aria service to test their claims.
Landr review 2016 professional#
I agree with everything said about automated mastering and obviously nothing beats me going to one of the dozens of professional mastering engineers in NYC. $35 hardly pays for my lunch so I figured, why not test Aria? I don't do it often, but I've spent thousands on mastering engineers in the past. Sometimes that requires a lot of money and sometimes it doesn't. I embrace technology and always use the best tool for the job. Everybody on this forum plays with overpriced toys.
Landr review 2016 download#
Like a robot is gonna be receiving a digital file and quickly shoving it into an analog mastering chain on one end, tweaking it for a few minutes and getting it right back out as a digital download the other Hey, don't knock Star Wars man. I feel it all depends on the artist, they have to find an engineer that they feel comfortable with, once they have that go to person, then at the point the studio doesn’t really matter since the chemistry has been established between both parties.Something doesn't seem correct? Only people who play with StarWars toys would also play around with the idea that there can be 10 minute "automated" analog mastering using hardware.
Sometimes engineers can give the artist suggestions and tips, the artists who take it are interested in making the best sounding product if they’re taking other people’s advice, but these comments can also make other artist’s feel uncomfortable and can also instill a sense of doubt in their art. Artist’s lose confidence because of these external factors and in most cases, never release the record. In all reality, only the artist has the capability of creating a great record, but the environment around them can affect the performance and execution. It’s easy to be influenced by the bigger stars and going to record in the studios that they record in because you feel that if they got a hit record, then you can too as long as you record in that studio. NATE: I feel like finding a great studio is very hard.
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